Yesenias reading journal week 17 by Yesenia Ruiz Lyrics
12.9.13
the kingdom of Andalasia, a beautiful young maiden named Giselle lives in a cottage in the forest. But before she can marry the dashing Prince Edward, Giselle is sent tumbling down a magical well - and finds herself in the non-animated, extremely disenchanted world of modern-day New York City. There, she befriends a cynical divorce lawyer, Robert, who isn't so sure that her prince is coming to rescue her. Giselle's spontaneous singing and fairy-tale demeanor enchant everyone around her as she waits for Prince Edward. But she's about to discover that love in the real world isn't always as easy as sharing a single True Love's Kiss.
12.10.13
A rat named Remy dreams of becoming a great French chef despite his family's wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely - and certainly unwanted - visitor in the kitchen of a fine French restaurant, Remy's passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.
12.11.13
Douglass does not provide the full details of his escape in his 1845 Narrative, for he fears that this information will prove useful to slave owners seeking to thwart or recapture future runaways. (He later provides an explanation of his escape in both versions of Life and Times of Frederick Douglass.) However, in his first autobiography Douglass does reveal that he is able to plan his escape when Hugh Auld allows him to work for wages at a Baltimore shipyard. Upon reaching the North, Douglass describes his sensations as "a moment of the highest excitement I have ever experienced . . . I felt like one who had escaped a den of hungry lions
12.12.13
By the end of his Narrative, Douglass has resettled in New Bedford, Massachusetts, changed his name (which, until this time, was Frederick Augustus Washington Bailey), and married Anna Murray, a free black woman to whom he became engaged while still enslaved in Baltimore. In New Bedford, he is introduced to the members of William Lloyd Garrison's American Anti-Slavery Society. Douglass ends his narrative with a beginning, as he recalls his first public address before an audience of abolitionists. "From that time until now, I have been engaged in pleading the cause of my brethren," Douglass writes, leaving the future open for hopeful possibilities.
12.13.13
Like many slave narratives, Douglass' Narrative is prefaced with endorsements by white abolitionists. In his preface, William Lloyd Garrison pledges that Douglass's Narrative is "essentially true in all its statements; that nothing has been set down in malice, nothing exaggerated" Likewise, Wendell Phillips pledges "the most entire confidence in truth, candor, and sincerity" . Though Douglass counted Garrison and Phillips as friends, scholars such as Beth A. McCoy have argued that their letters serve as subtle reminders of white power over the black author and his text. Indeed, in all of his subsequent autobiographies, Douglass replaced Garrison and Phillips' endorsements with introductions by prominent black abolitionists and legal scholars
the kingdom of Andalasia, a beautiful young maiden named Giselle lives in a cottage in the forest. But before she can marry the dashing Prince Edward, Giselle is sent tumbling down a magical well - and finds herself in the non-animated, extremely disenchanted world of modern-day New York City. There, she befriends a cynical divorce lawyer, Robert, who isn't so sure that her prince is coming to rescue her. Giselle's spontaneous singing and fairy-tale demeanor enchant everyone around her as she waits for Prince Edward. But she's about to discover that love in the real world isn't always as easy as sharing a single True Love's Kiss.
12.10.13
A rat named Remy dreams of becoming a great French chef despite his family's wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely - and certainly unwanted - visitor in the kitchen of a fine French restaurant, Remy's passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.
12.11.13
Douglass does not provide the full details of his escape in his 1845 Narrative, for he fears that this information will prove useful to slave owners seeking to thwart or recapture future runaways. (He later provides an explanation of his escape in both versions of Life and Times of Frederick Douglass.) However, in his first autobiography Douglass does reveal that he is able to plan his escape when Hugh Auld allows him to work for wages at a Baltimore shipyard. Upon reaching the North, Douglass describes his sensations as "a moment of the highest excitement I have ever experienced . . . I felt like one who had escaped a den of hungry lions
12.12.13
By the end of his Narrative, Douglass has resettled in New Bedford, Massachusetts, changed his name (which, until this time, was Frederick Augustus Washington Bailey), and married Anna Murray, a free black woman to whom he became engaged while still enslaved in Baltimore. In New Bedford, he is introduced to the members of William Lloyd Garrison's American Anti-Slavery Society. Douglass ends his narrative with a beginning, as he recalls his first public address before an audience of abolitionists. "From that time until now, I have been engaged in pleading the cause of my brethren," Douglass writes, leaving the future open for hopeful possibilities.
12.13.13
Like many slave narratives, Douglass' Narrative is prefaced with endorsements by white abolitionists. In his preface, William Lloyd Garrison pledges that Douglass's Narrative is "essentially true in all its statements; that nothing has been set down in malice, nothing exaggerated" Likewise, Wendell Phillips pledges "the most entire confidence in truth, candor, and sincerity" . Though Douglass counted Garrison and Phillips as friends, scholars such as Beth A. McCoy have argued that their letters serve as subtle reminders of white power over the black author and his text. Indeed, in all of his subsequent autobiographies, Douglass replaced Garrison and Phillips' endorsements with introductions by prominent black abolitionists and legal scholars