Black Eyed Women: Excerpt 2 by Viet thanh nguyen Lyrics
I knew nothing about ghosts. I had not believed in ghosts and neither did anyone else I knew except for my mother and Victor, who himself seemed spectral, the heat of grief rendering him pale and nearly translucent, his only color coming from a burst of uncombed red hair. Even with him the otherworldly came up only twice, once on the phone and once in his living room. Nothing had been touched since the day his family left for the airport, not even the sorrowful dust.
I had the impression that the windows had not been opened since that day, as if he wanted to preserve the depleted air that his wife and children had breathed before they suffered their bad deaths, so far from home. “The dead move on,” he had said, coiled in his armchair, hands between his thighs. “But the living, we just stay here.”
These words opened his last chapter, the one I worked on after my mother went to sleep and I descended into the bright basement, illuminated with fluorescent tubes. I wrote one sentence, then paused to listen for a knock or steps on the stairway. My rhythm through the night was established, a few lines followed by a wait for something that did not come, the next day more of the same. The conclusion of Victor’s memoir was in sight when my mother came home from the nail salon with shopping bags from Chinatown, one full of groceries, the other with underwear, a pair of pajamas, blue jeans, a denim jacket, a pack of socks, knit gloves, a baseball cap. After stacking them next to his dried and ironed T-shirt and shorts, she said, “He can’t be wandering out in the cold with what you gave him, like a homeless person or some illegal immigrant.” When I said that I hadn’t thought of it that way, she snorted, annoyed by my ignorance of the needs of ghosts. Only after dinner did she warm up again. Her mood had improved because instead of retreating to my basement as usual, I had stayed to watch one of the soap operas she rented by the armfuls, serials of beautiful Korean people snared in romantic tangles. “If we hadn’t had a war,” she said that night, her wistfulness drawing me closer, “we’d be like the Koreans now. Saigon would be Seoul, your father alive, you married with children, me a retired housewife, not a manicurist.” Her hair was in curlers, and a bowl of watermelon seeds was in her lap. “I’d spend my days visiting friends and being visited, and when I died, a hundred people would come to my funeral. I’d be lucky if twenty people will come here, with you taking care of things. That frightens me more than anything. You can’t even remember to take out the garbage or pay the bills. You won’t even go outside to shop for groceries.”
“I’d remember to take care of your soul.”
“When would you hold the wake? When would the celebration of my death anniversary be? What would you say?”
“Write it down for me,” I said. “What I’m supposed to say.”
“Your brother would have known what to do,” she said. “That’s what sons are for.”
To this I had no reply.
I had the impression that the windows had not been opened since that day, as if he wanted to preserve the depleted air that his wife and children had breathed before they suffered their bad deaths, so far from home. “The dead move on,” he had said, coiled in his armchair, hands between his thighs. “But the living, we just stay here.”
These words opened his last chapter, the one I worked on after my mother went to sleep and I descended into the bright basement, illuminated with fluorescent tubes. I wrote one sentence, then paused to listen for a knock or steps on the stairway. My rhythm through the night was established, a few lines followed by a wait for something that did not come, the next day more of the same. The conclusion of Victor’s memoir was in sight when my mother came home from the nail salon with shopping bags from Chinatown, one full of groceries, the other with underwear, a pair of pajamas, blue jeans, a denim jacket, a pack of socks, knit gloves, a baseball cap. After stacking them next to his dried and ironed T-shirt and shorts, she said, “He can’t be wandering out in the cold with what you gave him, like a homeless person or some illegal immigrant.” When I said that I hadn’t thought of it that way, she snorted, annoyed by my ignorance of the needs of ghosts. Only after dinner did she warm up again. Her mood had improved because instead of retreating to my basement as usual, I had stayed to watch one of the soap operas she rented by the armfuls, serials of beautiful Korean people snared in romantic tangles. “If we hadn’t had a war,” she said that night, her wistfulness drawing me closer, “we’d be like the Koreans now. Saigon would be Seoul, your father alive, you married with children, me a retired housewife, not a manicurist.” Her hair was in curlers, and a bowl of watermelon seeds was in her lap. “I’d spend my days visiting friends and being visited, and when I died, a hundred people would come to my funeral. I’d be lucky if twenty people will come here, with you taking care of things. That frightens me more than anything. You can’t even remember to take out the garbage or pay the bills. You won’t even go outside to shop for groceries.”
“I’d remember to take care of your soul.”
“When would you hold the wake? When would the celebration of my death anniversary be? What would you say?”
“Write it down for me,” I said. “What I’m supposed to say.”
“Your brother would have known what to do,” she said. “That’s what sons are for.”
To this I had no reply.