Problem I by Sren Kierkegaard Lyrics
PROBLEM I
Is there such a thing as a teleological
suspension of the ethical?
The ethical as such is the universal, and as the universal it applies to everyone, which may be expressed from another point of view by saying that it applies every instant. It reposes immanently in itself, it has nothing without itself which is its telos,40 but is itself telos for everything outside it, and when this has been incorporated by the ethical it can go no further. Conceived immediately as physical and psychical, the particular individual is the individual who has his telos in the universal, and his ethical task is to express himself constantly in it, to abolish his particularity in order to become the universal. As soon as the individual would assert himself in his particularity over against the universal he sins, and only by recognizing this can he again reconcile himself with the universal. Whenever the individual after he has entered the universal feels an impulse to assert himself as the particular, he is in temptation (Anfechtung), and he can labor himself out of this only by penitently abandoning himself as the particular in the universal. If this be the highest thing that can be said of man and of his existence, then the ethical has the same character as man's eternal blessedness, which to all eternity and at every instant is his telos, since it would be a contradiction to say that this might be abandoned (i.e. teleologically suspended), inasmuch as this is no sooner suspended than it is forfeited, whereas in other cases what is suspended is not forfeited but is preserved precisely in that higher thing which is its telos.41
If such be the case, then Hegel is right when in his chapter on "The Good and the Conscience," 42 he characterizes man merely as the particular and regards this character as "a moral form of evil" which is to be annulled in the teleology of the moral, so that the individual who remains in this stage is either sinning or subjected to temptation (Anfechtung). On the other hand, Hegel is wrong in talking of faith, wrong in not protesting loudly and clearly against the fact that Abraham enjoys honor and glory as the father of faith, whereas he ought to be prosecuted and convicted of murder.
For faith is this paradox, that the particular is higher than the universal–yet in such a way, be it observed, that the movement repeats itself, and that consequently the individual, after having been in the universal, now as the particular isolates himself as higher than the universal. If this be not faith, then Abraham is lost, then faith has never existed in the world because it has always existed. For if the ethical (i.e. the moral) is the highest thing, and if nothing incommensurable remains in man in any other way but as the evil (i.e. the particular which has to be expressed in the universal), then one needs no other categories besides those which the Greeks possessed or which by consistent thinking can be derived from them. This fact Hegel ought not to have concealed, for after all he was acquainted with Greek thought.
One not infrequently hears it said by men who for lack of losing themselves in studies are absorbed in phrases that a light shines upon the Christian world whereas a darkness broods over paganism. This utterance has always seemed strange to me, inasmuch as every profound thinker and every serious artist is even in our day rejuvenated by the eternal youth of the Greek race. Such an utterance may be explained by the consideration that people do not know what they ought to say but only that they must say something. It is quite right for one to say that paganism did not possess faith, but if with this one is to have said something, one must be a little clearer about what one understands by faith, since otherwise one falls back into such phrases. To explain the whole of existence and faith along with it, without having a conception of what faith is, is easy, and that man does not make the poorest calculation in life who reckons upon admiration when he possesses such an explanation; for, as Boileau says, "un sot trouve toujours un plus sot qui l'admire."
Faith is precisely this paradox, that the individual as the particular is higher than the universal, is justified over against it, is not subordinate but superior–yet in such a way, be it observed, that it is the particular individual who, after he has been subordinated as the particular to the universal, now through the universal becomes the individual who as the particular is superior to the universal, for the fact that the individual as the particular stands in an absolute relation to the absolute. This position cannot be mediated, for all mediation comes about precisely by virtue of the universal; it is and remains to all eternity a paradox, inaccessible to thought. And yet faith is this paradox–or else (these are the logical deductions which I would beg the reader to have in mente at every point, though it would be too prolix for me to reiterate them on every occasion)–or else there never has been faith … precisely because it always has been. In other words, Abraham is lost.
That for the particular individual this paradox may easily be mistaken for a temptation (Anfechtung) is indeed true, but one ought not for this reason to conceal it. That the whole constitution of many persons may be such that this paradox repels them is indeed true, but one ought not for this reason to make faith something different in order to be able to possess it, but ought rather to admit that one does not possess it, whereas those who possess faith should take care to set up certain criteria so that one might distinguish the paradox from a temptation (Anfechtung).
Now the story of Abraham contains such a teleological suspension of the ethical. There have not been lacking clever pates and profound investigators who have found analogies to it. Their wisdom is derived from the pretty proposition that at bottom everything is the same. If one will look a little more closely, I have not much doubt that in the whole world one will not find a single analogy (except a later instance which proves nothing), if it stands fast that Abraham is the representative of faith, and that faith is normally expressed in him whose life is not merely the most paradoxical that can be thought but so paradoxical that it cannot be thought at all. He acts by virtue of the absurd, for it is precisely absurd that he as the particular is higher than the universal. This paradox cannot be mediated; for as soon as he begins to do this he has to admit that he was in temptation (Anfechtung), and if such was the case, he never gets to the point of sacrificing Isaac, or, if he has sacrificed Isaac, he must turn back repentantly to the universal. By virtue of the absurd he gets Isaac again. Abraham is therefore at no instant a tragic hero but something quite different, either a murderer or a believer. The middle term which saves the tragic hero, Abraham has not. Hence it is that I can understand the tragic hero but cannot understand Abraham, though in a certain crazy sense I admire him more than all other men.
Abraham's relation to Isaac, ethically speaking, is quite simply expressed by saying that a father shall love his son more dearly than himself. Yet within its own compass the ethical has various gradations. Let us see whether in this story there is to be found any higher expression for the ethical such as would ethically explain his conduct, ethically justify him in suspending the ethical obligation toward his son, without in this search going beyond the teleology of the ethical.
When an undertaking in which a whole nation is concerned is hindered,43 when such an enterprise is brought to a standshll by the disfavor of heaven, when the angry deity sends a calm which mocks all efforts, when the seer performs his heavy task and proclaims that the deity demands a young maiden as a sacrifice–then will the father heroically make the sacrifice. He will magnanimously conceal his pain, even though he might wish that he were "the lowly man who dares to weep,"44 not the king who must act royally. And though solitary pain forces its way into his breast, he has only three confidants among the people, yet soon the whole nation will be cognizant of his pain, but also cognizant of his exploit, that for the welfare of the whole he was willing to sacrifice her, his daughter, the lovely young maiden. O charming bosom! O beautiful cheeks! O bright golden hair! (v. 687). And the daughter will affect him by her tears, and the father will turn his face away, but the hero will raise the knife.–When the report of this reaches the ancestral home, then will the beautiful maidens of Greece blush with enthusiasm, and if the daughter was betrothed, her true love will not be angry but be proud of sharing in the father's deed, because the maiden belonged to him more feelingly than to the father.
When the intrepid judge45 who saved Israel in the hour of need in one breath binds himself and God by the same vow, then heroically the young maiden's jubilation, the beloved daughter's joy, he will turn to sorrow, and with her all Israel will lament her maiden youth; but every free-born man will understand, and every stout-hearted woman will admire Jephtha, and every maiden in Israel will wish to act as did his daughter. For what good would it do if Jephtha were victorious by reason of his vow if he did not keep it? Would not the victory again be taken from the nation?
When a son is forgetful of his duty,46 when the state entrusts the father with the sword of justice, when the laws require punishment at the hand of the father, then will the father heroically forget that the guilty one is his son, he will magnanimously conceal his pain, but there will not be a single one among the people, not even the son, who will not admire the father, and whenever the law of Rome is interpreted, it will be remembered that many interpreted it more learnedly, but none so gloriously as Brutus.
If, on the other hand, while a favorable wind bore the fleet on with swelling sails to its goal, Agamemnon had sent that messenger who fetched Iphigenia in order to be sacrificed; if Jephtha, without being bound by any vow which decided the fate of the nahon, had said to his daughter, "Bewail now thy virginity for the space of two months, for I will sacrifice thee"; if Brutus had had a righteous son and yet would have ordered the lictors to execute him–who would have understood them? If these three men had replied to the query why they did it by saying, "It is a trial in which we are tested," would people have understood them better?
When Agamemnon, Jephtha, Brutus at the decisive moment heroically overcome their pain, have heroically lost the beloved and have merely to accomplish the outward sacrifice, then there never will be a noble soul in the world who will not shed tears of compassion for their pain and of admiration for their exploit. If, on the other hand, these three men at the decisive moment were to adjoin to their heroic conduct this little word, "But for all that it will not come to pass," who then would understand them? If as an explanation they added, "This we believe by virtue of the absurd," who would understand them better? For who would not easily understand that it was absurd, but who would understand that one could then believe it?
The difference between the tragic hero and Abraham is clearly evident. The tragic hero still remains within the ethical. He lets one expression of the ethical find its telos in a higher expression of the ethical; the ethical relation between father and son, or daughter and father, he reduces to a sentiment which has its dialectic in its relation to the idea of morality. Here there can be no question of a teleological suspension of the ethical itself.
With Abraham the situation was different. By his act he overstepped the ethical entirely and possessed a higher telos outside of it, in relation to which he suspended the former. For I should very much like to know how one would bring Abraham's act into relation with the universal, and whether it is possible to discover any connection whatever between what Abraham did and the universal … except the fact that he transgressed it. It was not for the sake of saving a people, not to maintain the idea of the state, that Abraham did this, and not in order to reconcile angry deities. If there could be a question of the deity being angry, he was angry only with Abraham, and Abraham's whole action stands in no relation to the universal, is a purely private undertaking. Therefore, whereas the tragic hero is great by reason of his moral virtue, Abraham is great by reason of a purely personal virtue. In Abraham's life there is no higher expression for the ethical than this, that the father shall love his son. Of the ethical in the sense of morality there can be no question in this instance. In so far as the universal was present, it was indeed cryptically present in Isaac, hidden as it were in Isaac's loins, and must therefore cry out with Isaac's mouth, "Do it not! Thou art bringing everything to naught."
Why then did Abraham do it? For God's sake, and (in complete identity with this) for his own sake. He did it for God's sake because God required this proof of his faith; for his own sake he did it in order that he might furnish the proof. The unity of these two points of view is perfectly expressed by the word which has always been used to characterize this situation: it is a trial, a temptation (Fristelse).47 A temptation–but what does that mean? What ordinarily tempts a man is that which would keep him from doing his duty, but in this case the temptation is itself the ethical … which would keep him from doing God's will. But what then is duty? Duty is precisely the expression for God's will.
Here is evident the necessity of a new category if one would understand Abraham. Such a relationship to the deity paganism did not know. The tragic hero does not enter into any private relationship with the deity, but for him the ethical is the divine, hence the paradox implied in his situation can be mediated in the universal.
Abraham cannot be mediated, and the same thing can be expressed also by saying that he cannot talk. So soon as I talk I express the universal, and if I do not do so, no one can understand me. Therefore if Abraham would express himself in terms of the universal, he must say that his situation is a temptation (Anfechtung), for he has no higher expression for that universal which stands above the universal which he transgresses.
Therefore, though Abraham arouses my admiration, he at the same time appalls me. He who denies himself and sacrifices himself for duty gives up the finite in order to grasp the infinite, and that man is secure enough. The tragic hero gives up the certain for the still more certain, and the eye of the beholder rests upon him confidently. But he who gives up the universal in order to grasp something still higher which is not the universal–what is he doing? Is it possible that this can be anything else but a temptation (Anfechtung)? And if it be possible … but the individual was mistaken–what can save him? He suffers all the pain of the tragic hero, he brings to naught his joy in the world, he renounces everything … and perhaps at the same instant debars himself from the sublime joy which to him was so precious that he would purchase it at any price. Him the beholder cannot understand nor let his eye rest confidently upon him. Perhaps it is not possible to do what the believer proposes, since it is indeed unthinkable. Or if it could be done, but if the individual had misunderstood the deity–what can save him? The tragic hero has need of tears and claims them, and where is the envious eye which would be so barren that it could not weep with Agamemnon; but where is the man with a soul so bewildered that he would have the presumption to weep for Abraham? The tragic hero accomplishes his act at a definite instant in time, but in the course of time he does something not less significant, he visits the man whose soul is beset with sorrow, whose breast for stifled sobs cannot draw breath, whose thoughts pregnant with tears weigh heavily upon him, to him he makes his appearance, dissolves the sorcery of sorrow, loosens his corslet, coaxes forth his tears by the fact that in his sufferings the sufferer forgets his own. One cannot weep over Abraham. One approaches him with a horror religiosus, as Israel approached Mount Sinai.–If then the solitary man who ascends Mount Moriah, which with its peak rises heaven-high above the plain of Aulis, if he be not a somnambulist who walks securely above the abyss while he who is stationed at the foot of the mountain and is looking on trembles with fear and out of reverence and dread dare not even call to him–if this man is disordered in his mind, if he had made a mistakel Thanks and thanks again to him who proffers to the man whom the sorrows of life have assaulted and left naked–proffers to him the fig-leaf of the word with which he can cover his wretchedness. Thanks be to thee, great Shakespeare, who art able to express everything, absolutely everything, precisely as it is–and yet why didst thou never pronounce this pang? Didst thou perhaps reserve it to thyself–like the loved one whose name one cannot endure that the world should mention? For the poet purchases the power of words, the power of uttering all the dread secrets of others, at the price of a little secret he is unable to utter … and a poet is not an apostle, he casts out devils only by the power of the devil.
But now when the ethical is thus teleologically suspended, how does the individual exist in whom it is suspended? He exists as the particular in opposition to the universal. Does he then sin? For this is the form of sin, as seen in the idea. Just as the infant, though it does not sin, because it is not as such yet conscious of its existence, yet its existence is sin, as seen in the idea, and the ethical makes its demands upon it every instant. If one denies that this form can be repeated [in the adult] in such a way that it is not sin, then the sentence of condemnation is pronounced upon Abraham. How then did Abraham exist? He believed. This is the paradox which keeps him upon the sheer edge and which he cannot make clear to any other man, for the paradox is that he as the individual puts himself in an absolute relation to the absolute. Is he justified in doing this? His justification is once more the paradox; for if he is justified, it is not by virtue of anything universal, but by virtue of being the particular individual.
How then does the individual assure himself that he is justified? It is easy enough to level down the whole of existence to the idea of the state or the idea of society. If one does this, one can also mediate easily enough, for then one does not encounter at all the paradox that the individual as the individual is higher than the universal–which I can aptly express also by the thesis of Pythagoras, that the uneven numbers are more perfect than the even. If in our age one occasionally hears a rejoinder which is pertinent to the paradox, it is likely to be to the following effect: "It is to be judged by the result." A hero who has become a skándalon48 to his contemporaries because they are conscious that he is a paradox who cannot make himself intelligible, will cry out defiantly to his generation, "The result will surely prove that I am justified." In our age we hear this cry rather seldom, for as our age, to its disadvantage, does not produce heroes, it has also the advantage of producing few caricatures. When in our age one hears this saying, "It is to be judged according to the result," a man is at once clear as to who it is he has the honor of talking with. Those who talk thus are a numerous tribe, whom I will denominate by the common name of Docents.49 In their thoughts they live secure in existence, they have a solid position and sure prospects in a well-ordered state, they have centuries and even millenniums between them and the concussions of existence, they do not fear that such things could recur–for what would the police say to that! and the newspapers! Their lifework is to judge the great, and to judge them according to the result. Such behavior toward the great betrays a strange mixture of arrogance and misery: of arrogance because they think they are called to be judges; of misery because they do not feel that their lives are even in the remotest degree akin to the great. Surely a man who possesses even a little erectioris ingenii [of the higher way of thinking] has not become entirely a cold and clammy mollusk, and when he approaches what is great it can never escape his mind that from the creation of the world it has been customary for the result to come last, and that, if one would truly learn anything from great actions, one must pay attention precisely to the beginning. In case he who should act were to judge himself according to the result, he would never get to the point of beginning. Even though the result may give joy to the whole world, it cannot help the hero, for he would get to know the result only when the whole thing was over, and it was not by this he became a hero, but he was such for the fact that he began.
Moreover, the result (inasmuch as it is the answer of finiteness to the infinite query) is in its dialectic entirely heterogeneous with the existence of the hero. Or is it possible to prove that Abraham was justified in assuming the position of the individual with relation to the universal … for the fact that he got Isaac by miracle? If Abraham had actually sacrificed Isaac, would he then have been less justified?
But people are curious about the result, as they are about the result in a book–they want to know nothing about dread, distress, the paradox. They flirt aesthetically with the result, it comes just as unexpectedly but also just as easily as a prize in the lottery; and when they have heard the result they are edified. And yet no robber of temples condemned to hard labor behind iron bars, is so base a criminal as the man who pillages the holy, and even Judas who sold his Master for thirty pieces of silver is not more despicable than the man who sells greatness.
It is abhorrent to my soul to talk inhumanly about greatness, to let it loom darkly at a distance in an indefinite form, to make out that it is great without making the human character of it evident–wherewith it ceases to be great. For it is not what happens to me that makes me great, but it is what I do, and there is surely no one who thinks that a man became great because he won the great prize in the lottery. Even if a man were born in humble circumstances, I would require of him nevertheless that he should not be so inhuman toward himself as not to be able to think of the King's castle except at a remote distance, dreaming vaguely of its greatness and wanting at the same time to exalt it and also to abolish it by the fact that he exalted it meanly. I require of him that he should be man enough to step forward confidently and worthily even in that place. He should not be unmanly enough to desire impudently to offend everybody by rushing straight from the street into the King's hall. By that he loses more than the King. On the contrary, he should find joy in observing every rule of propriety with a glad and confident enthusiasm which will make him frank and fearless. This is only a symbol, for the difference here remarked upon is only a very imperfect expression for spiritual distance. I require of every man that he should not think so inhumanly of himself as not to dare to enter those palaces where not merely the memory of the elect abides but where the elect themselves abide. He should not press forward impudently and impute to them kinship with himself; on the contrary, he should be blissful every time he bows before them, but he should be frank and confident and always be something more than a charwoman, for if he will not be more, he will never gain entrance. And what will help him is precisely the dread and distress by which the great are tried, for otherwise, if he has a bit of pith in him, they will merely arouse his justified envy. And what distance alone makes great, what people would make great by empty and hollow phrases, that they themselves reduce to naught.
Who was ever so great as that blessed woman, the Mother of God, the Virgin Mary? And yet how do we speak of her? We say that she was highly favored among women. And if it did not happen strangely that those who hear are able to think as inhumanly as those who talk, every young girl might well ask, "Why was not I too the highly favored?" And if I had nothing else to say, I would not dismiss such a question as stupid, for when it is a matter of favor, abstractly considered, everyone is equally entitled to it. What they leave out is the distress, the dread, the paradox. My thought is as pure as that of anyone, and the thought of the man who is able to think such things will surely become pure–and if this be not so, he may expect the dreadful; for he who once has evoked these images cannot be rid of them again, and if he sins against them, they avenge themselves with quiet wrath, more terrible than the vociferousness of ten ferocious reviewers. To be sure, Mary bore the child miraculously, but it came to pass with her after the manner of women, and that season is one of dread, distress and paradox. To be sure, the angel was a ministering spirit, but it was not a servile spirit which obliged her by saying to the other young maidens of Israel, "Despise not Mary. What befalls her is the extraordinary." But the Angel came only to Mary, and no one could understand her. After all, what woman was so mortified as Mary? And is it not true in this instance also that one whom God blesses He curses in the same breath? This is the spirit's interpretation of Mary, and she is not (as it shocks me to say, but shocks me still more to think that they have thoughtlessly and coquettishly interpreted her thus)–she is not a fine lady who sits in state and plays with an infant god. Nevertheless, when she says, "Behold the handmaid of the Lord"–then she is great, and I think it will not be found difficult to explain why she became the Mother of God. She has no need of worldly admiration, any more than Abraham has need of tears, for she was not a heroine, and he was not a hero, but both of them became greater than such, not at all because they were exempted from distress and torment and paradox, but they became great through these.50
It is great when the poet, presenting his tragic hero before the admiration of men, dares to say, "Weep for him, for he deserves it." For it is great to deserve the tears of those who are worthy to shed tears. It is great that the poet dares to hold the crowd in check, dares to castigate men, requiring that every man examine himself whether he be worthy to weep for the hero. For the waste-water of blubberers is a degradation of the holy.–But greater than all this it is that the knight of faith dares to say even to the noble man who would weep for him, "Weep not for me, but weep for thyself."
One is deeply moved, one longs to be back in those beautiful times, a sweet yearning conducts one to the desired goal, to see Christ wandering in the promised land. One forgets the dread, the distress, the paradox. Was it so easy a matter not to be mistaken? Was it not dreadful that this man who walks among the others–was it not dreadful that He was God? Was it not dreadful to sit at table with Him? Was it so easy a matter to become an Apostle? But the result, eighteen hundred years–that is a help, it helps to the shabby deceit wherewith one deceives oneself and others. I do not feel the courage to wish to be contemporary with such events, but hence I do not judge severely those who were mistaken, nor think meanly of those who saw aright.
I return, however, to Abraham. Before the result, either Abraham was every minute a murderer, or we are confronted by a paradox which is higher than all mediation.
The story of Abraham contains therefore a teleological suspension of the ethical. As the individual he became higher than the universal. This is the paradox which does not permit of mediation. It is just as inexplicable how he got into it as it is inexplicable how he remained in it. If such is not the position of Abraham, then he is not even a tragic hero but a murderer. To want to continue to call him the father of faith, to talk of this to people who do not concem themselves with anything but words, is thoughtless. A man can become a tragic hero by his own powers–but not a knight of faith. When a man enters upon the way, in a certain sense the hard way of the tragic hero, many will be able to give him counsel; to him who follows the narrow way of faith no one can give counsel, him no one can understand. Faith is a miracle, and yet no man is excluded from it; for that in which all human life is unified is passion,* and faith is a passion.
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*Lessing has somewhere given expression to a similar thought from a purely aesthetic point of view. What he would show expressly in this passage is that sorrow too can find a witty expression. To this end he quotes a rejoinder of the unhappy English king, Edward II. In contrast to this he quotes from Diderot a story of a peasant woman and a rejoinder of hers. Then he continues: "That too was wit, and the wit of a peasant at that; but the situation made it inevitable. Consequently one must not seek to kind the excuse for the witty expressions of pain and of sorrow in the fact that the person who uttered them was a superior person, well educated, intelligent, and witty withal, for the passions make all men again equal–but the explanation is to be found in the fact that in all probability everyone would have said the same thing in the same situation. The thought of a peasant woman a queen could have had and must have had, just as what the king said in that instance a peasant too would have been able to say and doubtless would have said." Cf. Sämtliche Werke, XXX. p. 223.51
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Translator's Notes
40. A Greek word meaning end or goal–which S.K. writes with Greek letters but I transliterate because it is of such common occurrence, and also because it is in the way of becoming an English word.
41. This is the conception of the ethical which is stressed in the Second Part of Either/Or. Perhaps Schrempf is right in affirming that what caused S.K. unnecessary agony was his acceptance of the Hegelian notion of the relation between the universal and the particular.
42. Cf. Philosophie des Rechts, 2nd ed. (1840) §§129-141 and Table of Contents p. xix.
43. The Trojan war. When the Greek fleet was unable to set sail from Aulis because of an adverse wind the seer Calchas announced that King Agamemnon had offended Artemis and that the goddess demanded his daughter Iphigenia as a sacrifice of expiation.
44. See Euripides, Iphigenia in Aulis, v. 448 in Wilster's translation. Agamemnon says, "How lucky to be born in lowly station where one may be allowed to weep." The confidants mentioned below are Menelaus, Calchas and Ulysses. Cf. v. 107.
45. Jephtha. Judges 11:30-40.
46. The sons of Brutus, while their father was Consul, took part in a conspiracy to restore the king Rome has expelled, and Brutus ordered them put to death.
47. This is temptation is the sense we ordinarily attach to the word. For temptation in a higher sense (Anfaegtelse) I have in the translation of other books used the phrase "trial of temptation." Professor Swenson, in an important passage of the Postscript, preferred to use the German word Anfechtung. In this work I have use "temptation" and added the German word in parentheses. The distinction between the two sorts of temptation is plainly indicated by S.K. in this paragraph.
48. This is the Scriptural word which we translate by "offense" or "stumbling block." Only Mr. Dru has preferred to use the identical word "scandal."
49. Docents and Privatdocents (both of them German titles for subordinate teachers in the universities) were very frequently the objects of S.K.'s satire. He spoke more frequently about "the professor" after Martensen had attained that title.
50. It would be interesting and edifying to make an anthology of the passages in which S.K. speaks of the Blessed Virgin; for surely no Protestant was ever so much engrossed in this theme, and perhaps no Catholic has appreciated more profoundly this unique position of Mary.
51. In Auszüge aus den Literatur-Briefen, 81st letter, in Maltzahn's ed. Vol. vi, pp. 205ff.
Is there such a thing as a teleological
suspension of the ethical?
The ethical as such is the universal, and as the universal it applies to everyone, which may be expressed from another point of view by saying that it applies every instant. It reposes immanently in itself, it has nothing without itself which is its telos,40 but is itself telos for everything outside it, and when this has been incorporated by the ethical it can go no further. Conceived immediately as physical and psychical, the particular individual is the individual who has his telos in the universal, and his ethical task is to express himself constantly in it, to abolish his particularity in order to become the universal. As soon as the individual would assert himself in his particularity over against the universal he sins, and only by recognizing this can he again reconcile himself with the universal. Whenever the individual after he has entered the universal feels an impulse to assert himself as the particular, he is in temptation (Anfechtung), and he can labor himself out of this only by penitently abandoning himself as the particular in the universal. If this be the highest thing that can be said of man and of his existence, then the ethical has the same character as man's eternal blessedness, which to all eternity and at every instant is his telos, since it would be a contradiction to say that this might be abandoned (i.e. teleologically suspended), inasmuch as this is no sooner suspended than it is forfeited, whereas in other cases what is suspended is not forfeited but is preserved precisely in that higher thing which is its telos.41
If such be the case, then Hegel is right when in his chapter on "The Good and the Conscience," 42 he characterizes man merely as the particular and regards this character as "a moral form of evil" which is to be annulled in the teleology of the moral, so that the individual who remains in this stage is either sinning or subjected to temptation (Anfechtung). On the other hand, Hegel is wrong in talking of faith, wrong in not protesting loudly and clearly against the fact that Abraham enjoys honor and glory as the father of faith, whereas he ought to be prosecuted and convicted of murder.
For faith is this paradox, that the particular is higher than the universal–yet in such a way, be it observed, that the movement repeats itself, and that consequently the individual, after having been in the universal, now as the particular isolates himself as higher than the universal. If this be not faith, then Abraham is lost, then faith has never existed in the world because it has always existed. For if the ethical (i.e. the moral) is the highest thing, and if nothing incommensurable remains in man in any other way but as the evil (i.e. the particular which has to be expressed in the universal), then one needs no other categories besides those which the Greeks possessed or which by consistent thinking can be derived from them. This fact Hegel ought not to have concealed, for after all he was acquainted with Greek thought.
One not infrequently hears it said by men who for lack of losing themselves in studies are absorbed in phrases that a light shines upon the Christian world whereas a darkness broods over paganism. This utterance has always seemed strange to me, inasmuch as every profound thinker and every serious artist is even in our day rejuvenated by the eternal youth of the Greek race. Such an utterance may be explained by the consideration that people do not know what they ought to say but only that they must say something. It is quite right for one to say that paganism did not possess faith, but if with this one is to have said something, one must be a little clearer about what one understands by faith, since otherwise one falls back into such phrases. To explain the whole of existence and faith along with it, without having a conception of what faith is, is easy, and that man does not make the poorest calculation in life who reckons upon admiration when he possesses such an explanation; for, as Boileau says, "un sot trouve toujours un plus sot qui l'admire."
Faith is precisely this paradox, that the individual as the particular is higher than the universal, is justified over against it, is not subordinate but superior–yet in such a way, be it observed, that it is the particular individual who, after he has been subordinated as the particular to the universal, now through the universal becomes the individual who as the particular is superior to the universal, for the fact that the individual as the particular stands in an absolute relation to the absolute. This position cannot be mediated, for all mediation comes about precisely by virtue of the universal; it is and remains to all eternity a paradox, inaccessible to thought. And yet faith is this paradox–or else (these are the logical deductions which I would beg the reader to have in mente at every point, though it would be too prolix for me to reiterate them on every occasion)–or else there never has been faith … precisely because it always has been. In other words, Abraham is lost.
That for the particular individual this paradox may easily be mistaken for a temptation (Anfechtung) is indeed true, but one ought not for this reason to conceal it. That the whole constitution of many persons may be such that this paradox repels them is indeed true, but one ought not for this reason to make faith something different in order to be able to possess it, but ought rather to admit that one does not possess it, whereas those who possess faith should take care to set up certain criteria so that one might distinguish the paradox from a temptation (Anfechtung).
Now the story of Abraham contains such a teleological suspension of the ethical. There have not been lacking clever pates and profound investigators who have found analogies to it. Their wisdom is derived from the pretty proposition that at bottom everything is the same. If one will look a little more closely, I have not much doubt that in the whole world one will not find a single analogy (except a later instance which proves nothing), if it stands fast that Abraham is the representative of faith, and that faith is normally expressed in him whose life is not merely the most paradoxical that can be thought but so paradoxical that it cannot be thought at all. He acts by virtue of the absurd, for it is precisely absurd that he as the particular is higher than the universal. This paradox cannot be mediated; for as soon as he begins to do this he has to admit that he was in temptation (Anfechtung), and if such was the case, he never gets to the point of sacrificing Isaac, or, if he has sacrificed Isaac, he must turn back repentantly to the universal. By virtue of the absurd he gets Isaac again. Abraham is therefore at no instant a tragic hero but something quite different, either a murderer or a believer. The middle term which saves the tragic hero, Abraham has not. Hence it is that I can understand the tragic hero but cannot understand Abraham, though in a certain crazy sense I admire him more than all other men.
Abraham's relation to Isaac, ethically speaking, is quite simply expressed by saying that a father shall love his son more dearly than himself. Yet within its own compass the ethical has various gradations. Let us see whether in this story there is to be found any higher expression for the ethical such as would ethically explain his conduct, ethically justify him in suspending the ethical obligation toward his son, without in this search going beyond the teleology of the ethical.
When an undertaking in which a whole nation is concerned is hindered,43 when such an enterprise is brought to a standshll by the disfavor of heaven, when the angry deity sends a calm which mocks all efforts, when the seer performs his heavy task and proclaims that the deity demands a young maiden as a sacrifice–then will the father heroically make the sacrifice. He will magnanimously conceal his pain, even though he might wish that he were "the lowly man who dares to weep,"44 not the king who must act royally. And though solitary pain forces its way into his breast, he has only three confidants among the people, yet soon the whole nation will be cognizant of his pain, but also cognizant of his exploit, that for the welfare of the whole he was willing to sacrifice her, his daughter, the lovely young maiden. O charming bosom! O beautiful cheeks! O bright golden hair! (v. 687). And the daughter will affect him by her tears, and the father will turn his face away, but the hero will raise the knife.–When the report of this reaches the ancestral home, then will the beautiful maidens of Greece blush with enthusiasm, and if the daughter was betrothed, her true love will not be angry but be proud of sharing in the father's deed, because the maiden belonged to him more feelingly than to the father.
When the intrepid judge45 who saved Israel in the hour of need in one breath binds himself and God by the same vow, then heroically the young maiden's jubilation, the beloved daughter's joy, he will turn to sorrow, and with her all Israel will lament her maiden youth; but every free-born man will understand, and every stout-hearted woman will admire Jephtha, and every maiden in Israel will wish to act as did his daughter. For what good would it do if Jephtha were victorious by reason of his vow if he did not keep it? Would not the victory again be taken from the nation?
When a son is forgetful of his duty,46 when the state entrusts the father with the sword of justice, when the laws require punishment at the hand of the father, then will the father heroically forget that the guilty one is his son, he will magnanimously conceal his pain, but there will not be a single one among the people, not even the son, who will not admire the father, and whenever the law of Rome is interpreted, it will be remembered that many interpreted it more learnedly, but none so gloriously as Brutus.
If, on the other hand, while a favorable wind bore the fleet on with swelling sails to its goal, Agamemnon had sent that messenger who fetched Iphigenia in order to be sacrificed; if Jephtha, without being bound by any vow which decided the fate of the nahon, had said to his daughter, "Bewail now thy virginity for the space of two months, for I will sacrifice thee"; if Brutus had had a righteous son and yet would have ordered the lictors to execute him–who would have understood them? If these three men had replied to the query why they did it by saying, "It is a trial in which we are tested," would people have understood them better?
When Agamemnon, Jephtha, Brutus at the decisive moment heroically overcome their pain, have heroically lost the beloved and have merely to accomplish the outward sacrifice, then there never will be a noble soul in the world who will not shed tears of compassion for their pain and of admiration for their exploit. If, on the other hand, these three men at the decisive moment were to adjoin to their heroic conduct this little word, "But for all that it will not come to pass," who then would understand them? If as an explanation they added, "This we believe by virtue of the absurd," who would understand them better? For who would not easily understand that it was absurd, but who would understand that one could then believe it?
The difference between the tragic hero and Abraham is clearly evident. The tragic hero still remains within the ethical. He lets one expression of the ethical find its telos in a higher expression of the ethical; the ethical relation between father and son, or daughter and father, he reduces to a sentiment which has its dialectic in its relation to the idea of morality. Here there can be no question of a teleological suspension of the ethical itself.
With Abraham the situation was different. By his act he overstepped the ethical entirely and possessed a higher telos outside of it, in relation to which he suspended the former. For I should very much like to know how one would bring Abraham's act into relation with the universal, and whether it is possible to discover any connection whatever between what Abraham did and the universal … except the fact that he transgressed it. It was not for the sake of saving a people, not to maintain the idea of the state, that Abraham did this, and not in order to reconcile angry deities. If there could be a question of the deity being angry, he was angry only with Abraham, and Abraham's whole action stands in no relation to the universal, is a purely private undertaking. Therefore, whereas the tragic hero is great by reason of his moral virtue, Abraham is great by reason of a purely personal virtue. In Abraham's life there is no higher expression for the ethical than this, that the father shall love his son. Of the ethical in the sense of morality there can be no question in this instance. In so far as the universal was present, it was indeed cryptically present in Isaac, hidden as it were in Isaac's loins, and must therefore cry out with Isaac's mouth, "Do it not! Thou art bringing everything to naught."
Why then did Abraham do it? For God's sake, and (in complete identity with this) for his own sake. He did it for God's sake because God required this proof of his faith; for his own sake he did it in order that he might furnish the proof. The unity of these two points of view is perfectly expressed by the word which has always been used to characterize this situation: it is a trial, a temptation (Fristelse).47 A temptation–but what does that mean? What ordinarily tempts a man is that which would keep him from doing his duty, but in this case the temptation is itself the ethical … which would keep him from doing God's will. But what then is duty? Duty is precisely the expression for God's will.
Here is evident the necessity of a new category if one would understand Abraham. Such a relationship to the deity paganism did not know. The tragic hero does not enter into any private relationship with the deity, but for him the ethical is the divine, hence the paradox implied in his situation can be mediated in the universal.
Abraham cannot be mediated, and the same thing can be expressed also by saying that he cannot talk. So soon as I talk I express the universal, and if I do not do so, no one can understand me. Therefore if Abraham would express himself in terms of the universal, he must say that his situation is a temptation (Anfechtung), for he has no higher expression for that universal which stands above the universal which he transgresses.
Therefore, though Abraham arouses my admiration, he at the same time appalls me. He who denies himself and sacrifices himself for duty gives up the finite in order to grasp the infinite, and that man is secure enough. The tragic hero gives up the certain for the still more certain, and the eye of the beholder rests upon him confidently. But he who gives up the universal in order to grasp something still higher which is not the universal–what is he doing? Is it possible that this can be anything else but a temptation (Anfechtung)? And if it be possible … but the individual was mistaken–what can save him? He suffers all the pain of the tragic hero, he brings to naught his joy in the world, he renounces everything … and perhaps at the same instant debars himself from the sublime joy which to him was so precious that he would purchase it at any price. Him the beholder cannot understand nor let his eye rest confidently upon him. Perhaps it is not possible to do what the believer proposes, since it is indeed unthinkable. Or if it could be done, but if the individual had misunderstood the deity–what can save him? The tragic hero has need of tears and claims them, and where is the envious eye which would be so barren that it could not weep with Agamemnon; but where is the man with a soul so bewildered that he would have the presumption to weep for Abraham? The tragic hero accomplishes his act at a definite instant in time, but in the course of time he does something not less significant, he visits the man whose soul is beset with sorrow, whose breast for stifled sobs cannot draw breath, whose thoughts pregnant with tears weigh heavily upon him, to him he makes his appearance, dissolves the sorcery of sorrow, loosens his corslet, coaxes forth his tears by the fact that in his sufferings the sufferer forgets his own. One cannot weep over Abraham. One approaches him with a horror religiosus, as Israel approached Mount Sinai.–If then the solitary man who ascends Mount Moriah, which with its peak rises heaven-high above the plain of Aulis, if he be not a somnambulist who walks securely above the abyss while he who is stationed at the foot of the mountain and is looking on trembles with fear and out of reverence and dread dare not even call to him–if this man is disordered in his mind, if he had made a mistakel Thanks and thanks again to him who proffers to the man whom the sorrows of life have assaulted and left naked–proffers to him the fig-leaf of the word with which he can cover his wretchedness. Thanks be to thee, great Shakespeare, who art able to express everything, absolutely everything, precisely as it is–and yet why didst thou never pronounce this pang? Didst thou perhaps reserve it to thyself–like the loved one whose name one cannot endure that the world should mention? For the poet purchases the power of words, the power of uttering all the dread secrets of others, at the price of a little secret he is unable to utter … and a poet is not an apostle, he casts out devils only by the power of the devil.
But now when the ethical is thus teleologically suspended, how does the individual exist in whom it is suspended? He exists as the particular in opposition to the universal. Does he then sin? For this is the form of sin, as seen in the idea. Just as the infant, though it does not sin, because it is not as such yet conscious of its existence, yet its existence is sin, as seen in the idea, and the ethical makes its demands upon it every instant. If one denies that this form can be repeated [in the adult] in such a way that it is not sin, then the sentence of condemnation is pronounced upon Abraham. How then did Abraham exist? He believed. This is the paradox which keeps him upon the sheer edge and which he cannot make clear to any other man, for the paradox is that he as the individual puts himself in an absolute relation to the absolute. Is he justified in doing this? His justification is once more the paradox; for if he is justified, it is not by virtue of anything universal, but by virtue of being the particular individual.
How then does the individual assure himself that he is justified? It is easy enough to level down the whole of existence to the idea of the state or the idea of society. If one does this, one can also mediate easily enough, for then one does not encounter at all the paradox that the individual as the individual is higher than the universal–which I can aptly express also by the thesis of Pythagoras, that the uneven numbers are more perfect than the even. If in our age one occasionally hears a rejoinder which is pertinent to the paradox, it is likely to be to the following effect: "It is to be judged by the result." A hero who has become a skándalon48 to his contemporaries because they are conscious that he is a paradox who cannot make himself intelligible, will cry out defiantly to his generation, "The result will surely prove that I am justified." In our age we hear this cry rather seldom, for as our age, to its disadvantage, does not produce heroes, it has also the advantage of producing few caricatures. When in our age one hears this saying, "It is to be judged according to the result," a man is at once clear as to who it is he has the honor of talking with. Those who talk thus are a numerous tribe, whom I will denominate by the common name of Docents.49 In their thoughts they live secure in existence, they have a solid position and sure prospects in a well-ordered state, they have centuries and even millenniums between them and the concussions of existence, they do not fear that such things could recur–for what would the police say to that! and the newspapers! Their lifework is to judge the great, and to judge them according to the result. Such behavior toward the great betrays a strange mixture of arrogance and misery: of arrogance because they think they are called to be judges; of misery because they do not feel that their lives are even in the remotest degree akin to the great. Surely a man who possesses even a little erectioris ingenii [of the higher way of thinking] has not become entirely a cold and clammy mollusk, and when he approaches what is great it can never escape his mind that from the creation of the world it has been customary for the result to come last, and that, if one would truly learn anything from great actions, one must pay attention precisely to the beginning. In case he who should act were to judge himself according to the result, he would never get to the point of beginning. Even though the result may give joy to the whole world, it cannot help the hero, for he would get to know the result only when the whole thing was over, and it was not by this he became a hero, but he was such for the fact that he began.
Moreover, the result (inasmuch as it is the answer of finiteness to the infinite query) is in its dialectic entirely heterogeneous with the existence of the hero. Or is it possible to prove that Abraham was justified in assuming the position of the individual with relation to the universal … for the fact that he got Isaac by miracle? If Abraham had actually sacrificed Isaac, would he then have been less justified?
But people are curious about the result, as they are about the result in a book–they want to know nothing about dread, distress, the paradox. They flirt aesthetically with the result, it comes just as unexpectedly but also just as easily as a prize in the lottery; and when they have heard the result they are edified. And yet no robber of temples condemned to hard labor behind iron bars, is so base a criminal as the man who pillages the holy, and even Judas who sold his Master for thirty pieces of silver is not more despicable than the man who sells greatness.
It is abhorrent to my soul to talk inhumanly about greatness, to let it loom darkly at a distance in an indefinite form, to make out that it is great without making the human character of it evident–wherewith it ceases to be great. For it is not what happens to me that makes me great, but it is what I do, and there is surely no one who thinks that a man became great because he won the great prize in the lottery. Even if a man were born in humble circumstances, I would require of him nevertheless that he should not be so inhuman toward himself as not to be able to think of the King's castle except at a remote distance, dreaming vaguely of its greatness and wanting at the same time to exalt it and also to abolish it by the fact that he exalted it meanly. I require of him that he should be man enough to step forward confidently and worthily even in that place. He should not be unmanly enough to desire impudently to offend everybody by rushing straight from the street into the King's hall. By that he loses more than the King. On the contrary, he should find joy in observing every rule of propriety with a glad and confident enthusiasm which will make him frank and fearless. This is only a symbol, for the difference here remarked upon is only a very imperfect expression for spiritual distance. I require of every man that he should not think so inhumanly of himself as not to dare to enter those palaces where not merely the memory of the elect abides but where the elect themselves abide. He should not press forward impudently and impute to them kinship with himself; on the contrary, he should be blissful every time he bows before them, but he should be frank and confident and always be something more than a charwoman, for if he will not be more, he will never gain entrance. And what will help him is precisely the dread and distress by which the great are tried, for otherwise, if he has a bit of pith in him, they will merely arouse his justified envy. And what distance alone makes great, what people would make great by empty and hollow phrases, that they themselves reduce to naught.
Who was ever so great as that blessed woman, the Mother of God, the Virgin Mary? And yet how do we speak of her? We say that she was highly favored among women. And if it did not happen strangely that those who hear are able to think as inhumanly as those who talk, every young girl might well ask, "Why was not I too the highly favored?" And if I had nothing else to say, I would not dismiss such a question as stupid, for when it is a matter of favor, abstractly considered, everyone is equally entitled to it. What they leave out is the distress, the dread, the paradox. My thought is as pure as that of anyone, and the thought of the man who is able to think such things will surely become pure–and if this be not so, he may expect the dreadful; for he who once has evoked these images cannot be rid of them again, and if he sins against them, they avenge themselves with quiet wrath, more terrible than the vociferousness of ten ferocious reviewers. To be sure, Mary bore the child miraculously, but it came to pass with her after the manner of women, and that season is one of dread, distress and paradox. To be sure, the angel was a ministering spirit, but it was not a servile spirit which obliged her by saying to the other young maidens of Israel, "Despise not Mary. What befalls her is the extraordinary." But the Angel came only to Mary, and no one could understand her. After all, what woman was so mortified as Mary? And is it not true in this instance also that one whom God blesses He curses in the same breath? This is the spirit's interpretation of Mary, and she is not (as it shocks me to say, but shocks me still more to think that they have thoughtlessly and coquettishly interpreted her thus)–she is not a fine lady who sits in state and plays with an infant god. Nevertheless, when she says, "Behold the handmaid of the Lord"–then she is great, and I think it will not be found difficult to explain why she became the Mother of God. She has no need of worldly admiration, any more than Abraham has need of tears, for she was not a heroine, and he was not a hero, but both of them became greater than such, not at all because they were exempted from distress and torment and paradox, but they became great through these.50
It is great when the poet, presenting his tragic hero before the admiration of men, dares to say, "Weep for him, for he deserves it." For it is great to deserve the tears of those who are worthy to shed tears. It is great that the poet dares to hold the crowd in check, dares to castigate men, requiring that every man examine himself whether he be worthy to weep for the hero. For the waste-water of blubberers is a degradation of the holy.–But greater than all this it is that the knight of faith dares to say even to the noble man who would weep for him, "Weep not for me, but weep for thyself."
One is deeply moved, one longs to be back in those beautiful times, a sweet yearning conducts one to the desired goal, to see Christ wandering in the promised land. One forgets the dread, the distress, the paradox. Was it so easy a matter not to be mistaken? Was it not dreadful that this man who walks among the others–was it not dreadful that He was God? Was it not dreadful to sit at table with Him? Was it so easy a matter to become an Apostle? But the result, eighteen hundred years–that is a help, it helps to the shabby deceit wherewith one deceives oneself and others. I do not feel the courage to wish to be contemporary with such events, but hence I do not judge severely those who were mistaken, nor think meanly of those who saw aright.
I return, however, to Abraham. Before the result, either Abraham was every minute a murderer, or we are confronted by a paradox which is higher than all mediation.
The story of Abraham contains therefore a teleological suspension of the ethical. As the individual he became higher than the universal. This is the paradox which does not permit of mediation. It is just as inexplicable how he got into it as it is inexplicable how he remained in it. If such is not the position of Abraham, then he is not even a tragic hero but a murderer. To want to continue to call him the father of faith, to talk of this to people who do not concem themselves with anything but words, is thoughtless. A man can become a tragic hero by his own powers–but not a knight of faith. When a man enters upon the way, in a certain sense the hard way of the tragic hero, many will be able to give him counsel; to him who follows the narrow way of faith no one can give counsel, him no one can understand. Faith is a miracle, and yet no man is excluded from it; for that in which all human life is unified is passion,* and faith is a passion.
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*Lessing has somewhere given expression to a similar thought from a purely aesthetic point of view. What he would show expressly in this passage is that sorrow too can find a witty expression. To this end he quotes a rejoinder of the unhappy English king, Edward II. In contrast to this he quotes from Diderot a story of a peasant woman and a rejoinder of hers. Then he continues: "That too was wit, and the wit of a peasant at that; but the situation made it inevitable. Consequently one must not seek to kind the excuse for the witty expressions of pain and of sorrow in the fact that the person who uttered them was a superior person, well educated, intelligent, and witty withal, for the passions make all men again equal–but the explanation is to be found in the fact that in all probability everyone would have said the same thing in the same situation. The thought of a peasant woman a queen could have had and must have had, just as what the king said in that instance a peasant too would have been able to say and doubtless would have said." Cf. Sämtliche Werke, XXX. p. 223.51
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Translator's Notes
40. A Greek word meaning end or goal–which S.K. writes with Greek letters but I transliterate because it is of such common occurrence, and also because it is in the way of becoming an English word.
41. This is the conception of the ethical which is stressed in the Second Part of Either/Or. Perhaps Schrempf is right in affirming that what caused S.K. unnecessary agony was his acceptance of the Hegelian notion of the relation between the universal and the particular.
42. Cf. Philosophie des Rechts, 2nd ed. (1840) §§129-141 and Table of Contents p. xix.
43. The Trojan war. When the Greek fleet was unable to set sail from Aulis because of an adverse wind the seer Calchas announced that King Agamemnon had offended Artemis and that the goddess demanded his daughter Iphigenia as a sacrifice of expiation.
44. See Euripides, Iphigenia in Aulis, v. 448 in Wilster's translation. Agamemnon says, "How lucky to be born in lowly station where one may be allowed to weep." The confidants mentioned below are Menelaus, Calchas and Ulysses. Cf. v. 107.
45. Jephtha. Judges 11:30-40.
46. The sons of Brutus, while their father was Consul, took part in a conspiracy to restore the king Rome has expelled, and Brutus ordered them put to death.
47. This is temptation is the sense we ordinarily attach to the word. For temptation in a higher sense (Anfaegtelse) I have in the translation of other books used the phrase "trial of temptation." Professor Swenson, in an important passage of the Postscript, preferred to use the German word Anfechtung. In this work I have use "temptation" and added the German word in parentheses. The distinction between the two sorts of temptation is plainly indicated by S.K. in this paragraph.
48. This is the Scriptural word which we translate by "offense" or "stumbling block." Only Mr. Dru has preferred to use the identical word "scandal."
49. Docents and Privatdocents (both of them German titles for subordinate teachers in the universities) were very frequently the objects of S.K.'s satire. He spoke more frequently about "the professor" after Martensen had attained that title.
50. It would be interesting and edifying to make an anthology of the passages in which S.K. speaks of the Blessed Virgin; for surely no Protestant was ever so much engrossed in this theme, and perhaps no Catholic has appreciated more profoundly this unique position of Mary.
51. In Auszüge aus den Literatur-Briefen, 81st letter, in Maltzahn's ed. Vol. vi, pp. 205ff.