Anne Lamott’s “Shitty First Drafts” by CMIGLIAC Lyrics
Shitty First Drafts
Anne Lamott from Bird by Bird
Born in San Francisco in 1954, Anne Lamott is a graduate of Goucher College
in Baltimore and is the author of six novels, including Rosie (1983), Crooked Little
Heart (1997), All New People (2000), and Blue Shoes (2002). She has also been the
food reviewer for California magazine, a book reviewer for Mademoiselle, and a
regular contributor to Salon’s “Mothers Who Think.” Her nonfiction books include
Operating Instructions: A Journal of My Son’s First Year (1993), in which she
describes her adventures as a single parent, and Tender Mercies: Some Thoughts on
Faith (1999), in which she charts her journey toward faith in God.
In the following selection, taken from Lamott’s popular book about writing,
Bird by Bird (1994), she argues for the need to let go and write those “shitty first
drafts” that lead to clarity and sometimes brilliance in our second and third drafts.
1 Now, practically even better news than that of short assignments is the idea of
shitty first drafts. All good writers write them. This is how they end up with good
second drafts and terrific third drafts. People tend to look at successful writers who
are getting their books published and maybe even doing well financially and think
that they sit down at their desks every morning feeling like a million dollars, feeling
great about who they are and how much talent they have and what a great story they
have to tell; that they take in a few deep breaths, push back their sleeves, roll their
necks a few times to get all the cricks out, and dive in, typing fully formed passages
as fast as a court reporter. But this is just the fantasy of the uninitiated. I know some
very great writers, writers you love who write beautifully and have made a great deal
of money, and not one of them sits down routinely feeling wildly enthusiastic and
confident. Not one of them writes elegant first drafts. All right, one of them does, but
we do not like her very much. We do not think that she has a rich inner life or that
God likes her or can even stand her. (Although when I mentioned this to my priest
friend Tom, he said you can safely assume you've created God in your own image
when it turns out that God hates all the same people you do.)
2 Very few writers really know what they are doing until they've done it. Nor do
they go about their business feeling dewy and thrilled. They do not type a few stiff
warm-up sentences and then find themselves bounding along like huskies across the
snow. One writer I know tells me that he sits down every morning and says to
himself nicely, "It's not like you don't have a choice, because you do -- you can
either type, or kill yourself." We all often feel like we are pulling teeth, even those
writers whose prose ends up being the most natural and fluid. The right words and
sentences just do not come pouring out like ticker tape most of the time. Now,
Muriel Spark is said to have felt that she was taking dictation from God every
morning -- sitting there, one supposes, plugged into a Dictaphone, typing away,
humming. But this is a very hostile and aggressive position. One might hope for bad
things to rain down on a person like this.
10 Almost all good writing begins with terrible first efforts. You need to start
somewhere. Start by getting something -- anything -- down on paper. A friend of
mine says that the first draft is the down draft -- you just get it down. The second
draft is the up draft -- you fix it up. You try to say what you have to say more
accurately. And the third draft is the dental draft, where you check every tooth, to
see if it's loose or cramped or decayed, or even, God help us, healthy.
Anne Lamott from Bird by Bird
Born in San Francisco in 1954, Anne Lamott is a graduate of Goucher College
in Baltimore and is the author of six novels, including Rosie (1983), Crooked Little
Heart (1997), All New People (2000), and Blue Shoes (2002). She has also been the
food reviewer for California magazine, a book reviewer for Mademoiselle, and a
regular contributor to Salon’s “Mothers Who Think.” Her nonfiction books include
Operating Instructions: A Journal of My Son’s First Year (1993), in which she
describes her adventures as a single parent, and Tender Mercies: Some Thoughts on
Faith (1999), in which she charts her journey toward faith in God.
In the following selection, taken from Lamott’s popular book about writing,
Bird by Bird (1994), she argues for the need to let go and write those “shitty first
drafts” that lead to clarity and sometimes brilliance in our second and third drafts.
1 Now, practically even better news than that of short assignments is the idea of
shitty first drafts. All good writers write them. This is how they end up with good
second drafts and terrific third drafts. People tend to look at successful writers who
are getting their books published and maybe even doing well financially and think
that they sit down at their desks every morning feeling like a million dollars, feeling
great about who they are and how much talent they have and what a great story they
have to tell; that they take in a few deep breaths, push back their sleeves, roll their
necks a few times to get all the cricks out, and dive in, typing fully formed passages
as fast as a court reporter. But this is just the fantasy of the uninitiated. I know some
very great writers, writers you love who write beautifully and have made a great deal
of money, and not one of them sits down routinely feeling wildly enthusiastic and
confident. Not one of them writes elegant first drafts. All right, one of them does, but
we do not like her very much. We do not think that she has a rich inner life or that
God likes her or can even stand her. (Although when I mentioned this to my priest
friend Tom, he said you can safely assume you've created God in your own image
when it turns out that God hates all the same people you do.)
2 Very few writers really know what they are doing until they've done it. Nor do
they go about their business feeling dewy and thrilled. They do not type a few stiff
warm-up sentences and then find themselves bounding along like huskies across the
snow. One writer I know tells me that he sits down every morning and says to
himself nicely, "It's not like you don't have a choice, because you do -- you can
either type, or kill yourself." We all often feel like we are pulling teeth, even those
writers whose prose ends up being the most natural and fluid. The right words and
sentences just do not come pouring out like ticker tape most of the time. Now,
Muriel Spark is said to have felt that she was taking dictation from God every
morning -- sitting there, one supposes, plugged into a Dictaphone, typing away,
humming. But this is a very hostile and aggressive position. One might hope for bad
things to rain down on a person like this.
10 Almost all good writing begins with terrible first efforts. You need to start
somewhere. Start by getting something -- anything -- down on paper. A friend of
mine says that the first draft is the down draft -- you just get it down. The second
draft is the up draft -- you fix it up. You try to say what you have to say more
accurately. And the third draft is the dental draft, where you check every tooth, to
see if it's loose or cramped or decayed, or even, God help us, healthy.